Giving Thanks

This year I have many thanks to give. It's been a remarkable year so far, and I look forward to a relaxing last few weeks (work aside!)

I am thankful for my health. I have my issues and problems, but am healthy, hearty, and hale and have made good progress this year.

I am thankful to be working on two great projects and interviewing for and evaluating more other new opportunities than I can count, during a time when so many cannot find any work at all.

I am thankful I for my wonderful friends and the experiences we've had together this year.

I am thankful for my family, most of all my lovely wife.

John Cage vs. Robert Rauschenberg

Wonderful music blog Synthtopia asked a great question:
Why do people still hate John Cage?
(when they love Robert Rauschenberg)

I believe the answer lies in cultural differences between the worlds of art and music, and in how popular (i.e. non-university/ivory tower) culture interfaces with and accepts visual art and music.

The primary problem is music fans are like Grampa Simpson - "I don't like change!". The audience for "serious" music has never really moved beyond the 19th century (and that's being charitable!). Classical concert-goers still worship the ancient ones - Bach, Mozart, Beethoven, Wagner, Brahms. Maybe you can get some classical fans to listen to Debussy - but only the "nice" stuff.

All the interesting music akin to the exciting 20th century art movements (expressionism, futurism, collage, dada, abstract expressionism) is "hard to listen to", and it's difficult to convince symphonies, with their high overheads and dwindling audiences, to take a chance...even on something as relatively mild as Stravinsky's Rite of Spring. As a result, people don't get to experience much of Cage's works, and inevitably what gets played by symphonies is what is reinforced as "the best".

Meanwhile nearly everybody else is listening to pop music (and I include here any flavor of electro, house, metal, country, hip-hop, etc.) and few of those listeners are interested in, understand, or appreciate John Cage's innovations. A quick glance at the comments on the Synthtopia article unfortunately confirms this - some the normally well-considered, open-minded folks revert to the stock comments about Cage - "he's a charlatan/my kid could do that", "his ideas are more important than his art", and of course, "it's not real music". Cage would have whole-heartedly supported and endorsed all of the previous statements, by the way.

But these are exactly the same comments leveled at Rauschenberg, Pollock, and other visual artists of the 20th century. Presumably these statements are made by people who think Caspar David Friedrich or Leonardo Da Vinci or whoever painted the crying clown with the flower are the only "real artists".

Art changes as culture changes, because art reflects and is culture. When we shut art down, we're shutting down cultural change, literally living in the past, off of old, received ideas. People hated Beethoven and Wagner at first, too.

Cage's body of work is as diverse and thought-provoking as those of his good friend Marcel Duchamp - and they are the most important artists of the last 100 years (or more).

However, finding good recordings of said Cage works is challenging, because what gets recorded is what will get bought, and people don't like Cage's music. So there's a vicious cycle.

Plus some of Cage's works don't translate well to the recorded environment, either because they're "conceptual" or because they rely on improvisation or chance, meaning that a particular recording of them is completely beside the point.

Finally, visual art has a certain immediacy - you look at something, you get it. And if you don't, you can look away and come back to it later. People's hyperbole to the contrary, it's hard for something you look at but don't like to "hurt your eyes" (bright, flashing lights aside). Music is inherently temporal - you have to sit through it, and in some cases, actually pay attention. That's hard for a lot of people. And in some cases, the sounds are jarring, loud, and inescapable.

We don't have to like every piece of art we experience, but we should at least try to appreciate it and understand why it's important or interesting before we go back to listening to our old favorites. This requires effort on our part. We have to change our culture, our education, and our mindsets and not fear or shirk that effort.

It's a challenge. When I observe the world these days, I see a retreat from empathy, from understanding, and from the effort required to look beyond easy, shallow surfaces. Cage believed music was all around us, everywhere. We just had to go to the trouble to listen to it. How can anyone not appreciate that?

My Top Ten Twenties on SF Appeal

I was featured on the "cover" (do websites have covers?) of SFAppeal today, as part of Corey Denis' fantastic "Top Ten Twenties" project.


She asked what my top 20 albums from 2000-2009 were. Here is my response!